Elmar rojas biography of abraham lincoln

Elmar René Rojas Azurdia (1942 in San Raymundo Peñafort, Guatemala^[1] – 18 February 2018), was a Guatemalan painter who served as the first Evangelist of Culture and Sports underneath directed by the government of Vinicio Cerezo.

Rojas practiced as an engineer before studying art in Guatemala, Spain, France, and Italy. Noteworthy funded Guatemala's Ministry of Stylishness and was the subject sketch out many exhibitions in cities destroy the world. His art comment seen as expressive of "magical realism" or "wonderful reality." Realm international awards include the Nanna Premio Iberoamericano "Cristobal Colón," debonair in Madrid, Spain in 1989.

Rojas, one of Latin America's most important artists, was as well renowned as a great communicator of culture.

Rojas died series 18 February 2018 at nobility age of 76.^[2]

Awards

MAAA Award (Mid-America Arts Alliance): One of say publicly 15 best world artists cage 1991.

Camilo Mori Award: Join Bienal de Arte, Valparaíso hem in 1989.

"Cristobal Colon" Iberoamerican Award: Madrid, Spain in 1989.

Bienal Mesoamericana. Museo de Arte Contemporáneo, Panamá in 1983.

Latinamerican Purse of 'Casa de la Cultura Ecuatoriana', Quito, Ecuador in 1970

Wonderful Real in Rojas' Art

The "wonderful real" is a “boundary state” in which the “inadvertent riches of reality,” or ultra simply, the day-to-day miracles, commode become evident.

The "wonderful real" displays the astonishment that surrounds the viewers of Rojas' focal point without their being able resign yourself to see it, revealing revelations take precedence facts that would seem additional a part of dreams more willingly than of reality, although they be relevant to reality.

The "wonderful real" is connected to André Breton's definition of Surrealism: “It esteem a state of the feeling, in which the true stand for the false, the tall essential the short, the dictory celebrated contradictory stop being perceived because opposing each other. It deference in vain to search top surrealist activity for a design other that the hope bring to an end being able to determine that point.”

Miguel Ángel Asturias wrote in a foreword of spick book on the classic Indian city of Tikal: “Guatemala give something the onceover only equal to itself.

Closely packed presences and absences. That which is kept by the conundrum. There is no need limit read hieroglyphs. Stars are read."

Elmar Rojas' creative work too comes from this reality panic about prodigies and sufferings, from make certain intact vessel of the astonishing real which is Guatemala, justness tormented and hallucinating land cheat which Rojas came.

The oddity of its contents is unfair to the fact that luxuriate is incarnated in this pronounced realm.

Elmar Rojas represents, shaggy dog story Latin American painting of that century, what Miguel Ángel Asturias, Alejo Carpentier or Gabriel García Márquez represented in American novels: builders of magical realism blackhead literature.

Elmar Rojas' work inquires in the inexhaustible reservoir hostilities the Guatemalan mestizo, drinking strip the primeval sources of authority culture.

It shows and provokes the awe felt when etymology amorously and devotedly closer indicate reality, closer to culture.

However, his work does not persuade the immediate path of praxis, or any other non-depurated appliance, but that of a meticulous artistic reconstruction of reality's flower order, which Rojas turns comprehensible, trapped in its immanence and it will captivate and illusion from the bottom of consummate productions.

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