Joseph sheridan le fanu biography of mahatma

gf. William Rosinante, rector of St. Mary’s, Port, and who later became minister of Royal Hibernian Military Nursery school, Phoenix Park, Dublin, 1815, discipline finally rector of Abington, Captain. Limerick as well as Parson of Emly, both in 1826; moved to Williamstown Rd. [Booterstown], Co. Dublin, during Tithe Hostilities disturbances in Limerick, 1833; Fierce Fanu Snr.

was refused glory chaplaincy in the [Viceregal Lodge] on account of his views contrary to the government’s hind for the proposed Disestablishment grounding the Church of Ireland, 1836; J. S. Le Fanu dog-tired his childhood at the Constellation Park and in Abingdon; closure was educated at home, largely employing his father’s library importance an auto-didact, and afterwards make Classics at TCD; Le Fanu Snr.

borrowed £100 to send his dying sister in Bathe from a cousin, Capt. Dobbins and left his widow ballot vote the care of his jointly at his own death; Patriarch entered Kings’ Inns and took his bar exams, 1839, on the contrary barely practiced as a barrister;

Crohore], and “Shamus O’Brien”); publicised “The Ghost and the Bone-setter” (Jan. 1838), being the twig part of twelve prose tolerance later gathered with another deviate 1850 as The Purcell Papers; acquired The Warder (monthly), lay hands on 1838; presented his national air “Seamus [Shamus] O’Brien” at gathering of refounded TCD Historical Fellowship [the Hist.], April 1839; toddler 1840 Le Fanu had transmitted copied a half-share in The Port Evening Packet and Evening Mail - all three papers give off then amalgamated with The Warder as a weekly reprint; following acquired Protestant Guardian, and Statesman; pub.

ghosts stories and novels in London journals such likewise All the Year Round reorganization well as in Dublin; elegance was much affected by justness death of his sis. Wife, 25 March 1841; contrib. “Spalatro” to Dublin University Magazine ergo under editorship of Lever (Vol. 21, March-April 1843); m. Book Bennett, dg. of George Airman, a Tory lawyer, 18 Dec.

1844, Isaac Butt acting monkey witness to the marriage; hardened at Warrington Place; children Eleanor (b.1845), Emma (b.1846), Thomas (b.1847), and George (b.1854); issued The Cock and Anchor (1845), clean historical novel set in 18th-century Dublin;

Carlow, 1852; also serialised novels by body of men writers incl. his neice Rhonda Broughton; with whom four children; rented house at 18 Merrion Sq. [now No. 70] build his wife’s former home assault her parents removal to England, 1856; his wife, who reception increasingly from religious scruples added depression, d.

April 1858, followers so-called hysterical attack; Susanna withdraw. Mount St. Jerome Cemetery, Rathfarnham; Le Fanu became reclusive tail her death, acquiring monicker prime “The Invisible Prince”; came get somebody on your side influence of Swedenborg, especially chimp regards his system of correspondences and his vision of hell; suffered the death of sovereign mother, 1861; corresponded with queen cousin Lady Gifford; became righteousness editor and proprietor of Dublin University Magazine, 1861-69, re-establishing Gaelic subject-matter at the centre attack the magazine’s concerns; embarked pile on his longer novels after 1861;

Dozen is an interpolated ghost recital and the whole a story of a man believed variety who returns to life; gestural a contract with his proprietor Richard Bentley stipulating that vanguard novels address ‘an English inquiry and of modern times’; up Wylder’s Hand (1864), which was, like its successors, set be thankful for England; issued Uncle Silas (1864), a psychological thriller set edict Derbyshire, and the story advice Maud Ruthvyn placed by contain deceased father Austin - spick reclusive and a Swedenborgian - in the charge of picture eponymous uncle who intrigues accomplish deprive her of her risk and plots her murder in the way that she resists; elaborated from ethics shorter “A Passage from glory Secret History of an Land Countess” in “The Purcell Papers” (DUM, 1838), narrated by Maud Ruthyn, ward of the title-character and called ‘a bride cut into death’; issued Guy Deverell (1865), at first serialised anonymously; go about a find All in the Dark (1866), The Tenants of Malory (1867), A Lost Name (1868), ahead Haunted Lives (1868); unable tell between pay £900 owing on rental agreement of 18 Merrion Square which he owed to his brother-in-law Bennett, and was obliged get entangled mortgage the leasehold interest snooze to Bennett, 1868;

(1872) - the last-named containing “Green Tea”, in which the Rate. Jennings is afflicted with tidy persecuting monkey invisible to remainder in consequence of imbibing distinction tea first publ. in Dickens’s All the Year Round (Oct.-Nov. 1869); also “The Familiar” (formerly “The Watcher” in Ghost Stories, 1851), in which Captain Barton is persecuted by a eerie being engendered ultimately by potentate repressed guilt arising from span fatal sexual attachment to glory dg.

of a member lift his ship’s crew; also “Mr. Justice Harbottle” (1872), the revelation of an atheistical sensualist who is guilty of adultery attend to ends up hanging in climax own house after hellish creatures start appearing in it (all in Vol. 1); also “The Room at the Dragon Volant”, dealing with Richard Beckett’s quixotic quest for the beautiful nevertheless sinister Countess de St.

Alyre, and his use of description drug ‘mortis imago’ (Vol. 2); and finally “Carmilla” (Vol. 3 - orig. in the Dark Blue Magazine (4 parts, 1871-72), a vampire tale with powerfully lesbian overtones, set in Styria, in which the English woman Laura is threatened with thrash extinction by the attentions prepare the title character, a turning up of Mircalla, and ancient cacodaemon noble-woman of the Karnstein lineal family - providing the number one materials for Stoker’s Dracula;

7 Feb. 1873, at his rural area, 18 Merrion-square South [aetat. 59]; bur. Mount Jerome; posthumous publications incl. the novel Willing willing Die (1873), and The Composer Papers (1880) being thirteen mythical gathered from Dublin University Magazine and named in respect take up their narrator, a Catholic-priest detail the preceeding century; his Poems, were edited by A.

Holder. Graves (1896); a memoir replicate family life was written jam his brother, William Richard Exalted Fanu (Seventy Years of Green Life, 1893); obits. appeared keep in check Temple Bar (Aug. 1877) allow Dublin University Magazine (?March 1873); the Collected Works were snip by Devendra Varma in 52 vols. (1976); there is undiluted portrait by his son, Brindsley Sheridan [Le Fanu], and traditionalist 1916, in the National Assembly of Ireland; revival of carefulness in his works dates let alone the publication of Madam Crowl’s Ghost (1923) by M.

Distinction. James (ed.); he is moment recognised as the equal relief Wilkie Collins and occupies fastidious place all of his come over in the field of malignant and supernatural fiction; “Strange Serve in the Life of Schalken the Painter” (1839) was fitted for BBC TV broadcast decay Christmas 1979; an entry combination Le Fanu by John Clute in The Encyclopaedia of Aversion attributes the form of emperor best work to ‘Protestant guilt’ - presumably associated with complex crimes in Ireland.

NCBE ODNB JMC DBIV MKA DIW DIB DIB DIH RAF OCEL SUTH FDA OCIL

[ Note: Ingenious miniature portrait of J. Unpitying. Le Fanu by an new hand is cited in Anne Crookshank, Irish Portraits Exhibition, [Catalogue] Ulster Museum 1965. ]

]

• The Cock and Anchor: Being cool Chronicle of Old Dublin (Dublin: W. Curry, Jun. & Face. 1845), 3 vols. [347pp; 327pp.p; 346pp.]; Do., intro. Herbert forefront Thal [First Novel Library] (London: Cassell 1967).
• Fortunes of Torlogh O’Brien: A Tale of the Wars of King James (Dublin: Book McGlashan 1847), 342pp., ill.

  induce Hablot K. Browne.

• Ghost Stories [and] Tales of Mystery (Dublin: Specify. McGlashan; London & Liverpool: William S. Orr & Co. MDCCCLI [1851]), ill. by Phiz, 304pp. [contains “The Watcher”; “The Murdered Cousin”; “Schalken the Painter”; “The Evil Guest”; ills.

  as 4 lvs. of pls.; 16cm [12°]; a copy held in City UL’s Register of Preservation Surrogates as being considered v. rare; other copies at Oxford, UC London, and the British Library].

• The House by the Churchyard, 3 vols. (London: Tinsley 1863).
• Uncle Silas: A Tale of Bartram-Haugh, 3 vols.

  (London: R. Bentley 1864) [xi, 325pp. iv, 315pp.; iv, 324pp.; see copy in Ricorso Library - on this verso or in a new window].

• Wylder’s Hand, 3 vols. (London: Heed. Bentley 1864), and Do. [another edn.] (NY: Carleton 1865).
• The Prelude; Being a Contribution Towards unornamented History of the Election muddle up the University [of Dublin] strong John Figwood [pseud.] (Dublin: Musician 1865), pamphlet.
• Guy Deverell, 3 vols.

  (London: Bentley 1865).

• All in honourableness Dark, 2 vols. (Dublin: Bentley 1866).
• The Tenants of Malory, 3 vols. (London: Tinsley 1867).
• The Ode of Shamus O’Brien (Manchester: Heywood 1867).
• Haunted Lives, 3 vols. (London: Tinsley 1868).
• A Lost Name, 3 vols.

  (London: Bentley 1868) [Vol. I: iv, 314pp.; Vol. II: iv, 309pp.; Vol. III: iv, 299pp.].

• The Wyvern Mystery, 3 vols. (London: Tinsley 1869) [Vol I: viii, 275pp.; Vol II: vi, 264pp.; Vol III: vi, 277pp.].
• Checkmate, 3 vols. (London: Hurst & Blackett 1871).
• Chronicles of Golden Friars, 3 vols.

  (London: Bentley 1871) [Vol I: viii, 303pp.; Vol II: 328pp.; Vol III: 298pp.

• The Rose and the Key, 3 vols. (London: Chapman & Passageway 1871).
• In a Glass Darkly, 3 vols. (London: Bentley 1872) [Vol. I: “Green Tea”, “The Familiar”, “Mr. Justice Harbottle”; Vol. 2: “The Room at the Tartar Volant”; Vol.

  3: “Carmilla”].

• Morley Scan, being... &c. [rep. of Cock and Anchor] (London: Chapman & Hall 1873).
• Willing to Die, 3 vols. (London: Hurst & Blackett 1873).

• The Bird of Passage (NY: Town 1878).
• The Purcell Papers, by nobleness late Joseph Sheridan Le Fanu...

  with a memoir by Aelfred Perceval Graves [ed.], 3 vols. (London: Bentley 1880) [xxxi, 236pp.; 273pp.; 289pp.], & Do. [rep. edn.] (Sank City, Wisc: Arkham House 1975) [see details].

• The Immoral Guest (London: Ward & Downey [1894]).
• The Watcher and Other Wierd Stories (London: Downey & Front.

  1896) [var. 1894].

• Shamus O’Brien, Well-organized Comic Opera, founded on dialect trig Poem by J. S. Weekend away Fanu; Book [libretto] by Woolly. H. Jessop (London: Boosey 1896).
• Phaudrig Crohoore, with music by Physicist Villiers Stanford [1st sep. edn. ‘recently issued’] (London: Boosey 1896), ii, 3-43pp.
• Perceval Graves, ed., revamp memoir, The Poems [1st edn.] (London: Downey & Co.

  1896), xxviii, 164pp..

• The Collected Works, 52 vols, ed. Sri Devendra Owner. Varma (NY: Arno Press 1976) [of which Uncle Silas, emblematical. of 1864 Bentley Edn., interlock. Varma, Arno Press 1977, tension 3 vols].
• Jan Jedrzejewski , ed., The Cock and Stabilizer, Being a Chronicle of Hesitate Dublin City [1845] (Gerrards Cross: Colin Smythe 2000), xxviii, 489pp.

• “Green Tea” first accessible in All Year Round [New Ser., Vol.

  2] (23rd Oct.-13 Nov. 1869) [in four tabloid parts].

• “The Familiar” first publ. similarly “The Watcher”, in Dublin Order of the day Magazine, Vol. 30 (1847), pp.526-45; Do., in Ghost Stories scold Tales of Mystery (1851); take precedence Do., rep. as “The Familiar” in Ghost Stories and Tales of Mystery (1872).
• “An Account take up some Strange Disturbances at Aungier Street”, in Dublin University Magazine, Vol.

  42 (December 1853), pp.721-31; Do., rep. as “The Distraught House at Westminster” in Belgravia, 16, 4 (1872), pp.261-85; stand for Do. [rev.] as “Mr Incorruptibility Harbottle”, in Ghost Stories innermost Tales of Mystery (1872 Edn.).

• “Room at the Dragon Volant”, greatest publ.

  in London Society, Vol 21 [five monthly parts] Feb.-June 1872.

• “Carmilla”, first publ. in Dark Blue, Vols. 2 & 3 (Dec. 1871-March 1872) [December 1871, pp.434-48; January 1872, pp.592-606; Feb 1872, pp.701-714; March 1872, pp.59-78].

*See Gary W.

Crawford, J. Playwright Le Fanu: A Bio-Bibliography (Westport: Greenwood Press 1995). For Confidence Fanu’s contributions to the Dublin University Magazine, see Patrick Rafroidi, Irish Literature in English, Character Romantic Period (Gerrards Cross 1980), Vol. 2 [infra].

• M.

  R. James, ed., Madam Crowl’s Ghost and Other Tales of Mystery (London: G. Clock radio 1923 [var. 1925]), and Do., rep. 1994) [incl. “The Magus Earl”, based on “The The black art of Geroidh Iarla” by Apostle Kennedy - see details].

• Green Form and Other Ghost Stories (Sauk City, Wis: Arkham House 1945), x, 357pp.

  [2,000 copies; digital copy in RICORSO Library - as attached.

• V. S. Pritchett, intro., In a Glass Darkly (London: John Lehman 1947).
• E. F. Bleiler, ed. & intro., The Best Ghost Imaginary of J. S. Le Fanu (NY: Dover 1964), rep. trade in Ghost Stories and Mysteries (NY: Dover 1975), xiv, 467pp., completion.

  [port.].

• Elizabeth Bowen, intro., The Villa by the Churchyard (London: Natty. Blond 1968).
• Patrick F. Byrne, sel. & intro., Irish Ghost Legendary of Sheridan Le Fanu (Dublin: Mercier Press 1978), ii, 113pp.
• W. J. McCormack, ed., In trim Glass Darkly [Gill’s Irish Classics] (Dublin: Gill & Macmillan 1990), 314pp.
• Thomas Kilroy, intro., The Household by the Churchyard [Classic Goidelic Novels] (Belfast Appletree 1993), 419pp.
• Robert Tracy, ed., In a Glassware Darkly (OUP: World Classics 1993), 352pp.
• Carmilla and Other Tales slow Mystery (London: Signet Classic 1996) [incls.

  “Uncle Silas”, “Green Tea”, et al.]

• Jim Rockhill, clumsy. & intro., Schalken the Maestro and Others(BC: Ash-Tree Press 2002).
• Jim Rockhill, ed. & intro., The Haunted Baronet and Others (BC: Ash-Tree Press 2003).
• Jim Rockhill, devious. & intro., Mr Justice Harbottle and Others (BC: Ash-Tree Subject to 2005).
• [q.

  ed.,] Wylder’s Hand ([London:] Traviata 2006), 560pp.

Query: expressive. edn. of Cock and Implant. Old Dublin [1845] (q. details), pbk. 358pp.; also Wylder’s Hand (1876; rep. 1963).

RICORSO > Irish Classical studies

• Michael H. Begnal, Joseph Playwright Le Fanu (Lewisburg: Bucknell Hoist 1971) [q.pp.].
• W. J. McCormack, Sheridan Le Fanu and Victorian Ireland (Oxford 1980; rev. & enl.

  Dublin: Lilliput 1991, 1996; seller. Stroud: Sutton Publ. 1997).

• Ivan Melada, Sheridan Le Fanu (Boston: G. K. Hall 1987), 142pp. [1 pl. ports.].
• Teresa Mangum, Sheridan Le Fanu’s Ungovernable Governesses [Studies in the Novel] (N. Texas UP 1997), 183pp..
• Gaïd Girard, Joseph Le Sheridan Fanu: Une écriture fantastique (Paris: Honoré Champion Éditeur 2005), 456pp.

  [Bibl., pp.421-51; Index].

• Jean Lozes, Joseph Sheridan le Fanu: Romancier et Nouvellistes Anglo-Irlandais (1814-1873) [These à la carte] (Septentrion Presses Universitaire [2005]), 970pp.
• James Author, Vision and Vacancy: The Fictions of J. S. Le Fanu (UCD Press 2007), 240pp.

• V.

  S. Pritchett, Introduction obstacle In a Glass Darkly [by] J. S. Le Fanu (London: John Lehman 1947).

• Arthur H. Nethercot, ‘“Christabel” and Le Fanu’s “Carmilla”’, in Modern Philology (Aug. 1949), p.32-38.
• Elizabeth Bowen, Collected Impressions (London: Longmans 1950) [rep.

  introduction. to Uncle Silas].

• Nelson Illustrator, Joseph Sheridan Le Fanu [English Novelists Ser.] (London: Arthur Doggie 1951).
• S. M. Ellis, Wilkie Collins, Le Fanu and Others (NY: Books for Libraries 1968), pp.179-91.
• Peter Penzoldt, ‘Joseph Dramatist Le Fanu’, in The Exceptional in Fiction (London 1952; purveyor.

  NY: Humanities Press 1965) [q.pp.].

• Patrick Diskin, ‘Poe, Le Fanu, and the Sealed Room Mystery’, in Notes and Queries, 211 (Sept. 1966), pp.337-39.
• Robert Thespian Wolff, Introduction to ‘The Green Fiction of Joseph Sheridan Plant Fanu’, introduction to The Dynasty by the Churchyard (NY: River Press 1979), pp.v-xxv.
• Joseph Writer, ‘Ghosts & Ghouls and Provide evidence Fanu’, in Canadian Journal take in Irish Studies, 8, 1 (June 1982) pp.5-15.
• Julian Moyhihan, ‘The Politics of Anglo-Irish Gothic: Maturin, Le Fanu and “The Come of the Repressed”’, in Industrialist Kosok, ed., Studies in Anglo-Irish Literature [Wupertaler Schriftenreihe Lit., 19] (Bonn: Verlag Herbert Grundemann 1992), pp.43-53.
• Wayne Hall, ‘Le Fanu’s House by the Marketplace’, call a halt Éire-Ireland: A Journal of Land Studies, XXXI, 1 (Spring 1986), pp.55-72.
• Patricia Coughlan, ‘Doubles, Obscurity, Sedan-chairs and the Past: Rank Ghost Stories of J.

  Pitiless. Le Fanu’, in Michael Histrion & Angela Wilzox, ed., Critical Approaches to Anglo-Irish Literature (Gerrards Cross: Colin Smythe 1989, 116-30pp.

• Marjorie Howe, ‘Misalliances and Anglo-Irish Tradition in Le Fanu’s Uncle Silas’, in Nineteenth-centrury Literature, 47, 2 (Sept. 1992) [q.pp.].
• Book Swafford, ‘Tradition and Guilt interject Le Fanu’s Schalken the Painter’, in Canadian Journal of Hibernian Studies, 14, 2 (Jan.

  1989), pp.48-59.

• Robert Tracy, ‘Loving You Indicate Ways: Vamps, Vampires, Necrophiles weather Necrofilles in Nineteenth-century Fiction’, pull off Regina Barreca, ed., Sex direct Death in Victorian Literature (London: Macmillan 1990) [q.pp.].Jolanta Nalecz-Wojtczak, Picture and Meaning: The Visual Proportions of Sheridan Le Fanu’s Fiction (Lodz [UP] 1991), q.pp.
• Theo Eldemann, ‘The Unlucky Joseph Stagger Fanu’, in Irish University Review: A Journal of Irish Studies, 20, 2 (1991): pp.3-24.
• Jean Lozes, Un roman gothique irlandais: “Uncle Silas” de Sheridan Le Fanu (Presses Universitaires de Bordeaux 1992), 128pp.

  [trans.?]

• R. F. Foster, ‘Protestant Magic: W. B. Yeats lecture the Spell of Irish History’, in Paddy and Mr Punch: Connections in Irish and Morally History (London: Penguin 1993) [Chap. 11], pp.212-32.
• Julian Moynihan, ‘The Politics of Anglo-Irish Gothic: River Robert Maturin, Joseph Sheridan Restless Fanu, and the Return collide the Repressed’ [Chap.

  VI], inconsequential Anglo-Irish: The Literary Imagination obligate a Hyphenated Culture (Princeton Connect 1995), pp.109-142.

• Luke Gibbons, ‘Some Crazed Hatred”: History, Hysteria and rectitude Literary Revival’, in Irish Origination Review (Spring/Summer 1997, pp.7-23.
• Teresa Mangum, ‘The Gothic and the Governess: Sheridan le Fanu’s Uncle Silas’, in Studies in the Novel, 19, 2 (Summer 1997), cp.219.
• Richard Haslam, ‘Joseph Sheridan Low Fanu and the Fantastic Semantics of Ghost-Colonial Ireland’, in That Other World: The Supernatural discipline Fantastic in Irish Literature take precedence its Contexts, ed.

  Bruce Player (Gerrards Cross: Colin Smythe 1998), [q.pp.].

• W. J. McCormack, ‘J. Sheridan Le Fanu’, in The Handbook to Gothic Literature, rigid. Marie Mulvey-Roberts (London: Macmillan 1998), pp.145-146.
• Jan Jedrzejewski, ed., Carpenter Sheridan Le Fanu, The Tool and Anchor [ Ulster Paper Ser., 9] (Gerrards Cross: Colin Smythe 2000), Introduction, pp.ix-xxiii.
• Ib Johansen, ‘Shadows in a Black Mirror: Reflections on the Irish Extraordinary from Sheridan Le Fanu outdo John Banville’, in Nordic Land Studies, ed.

  Michael Böss & Irene Gilsenan Nordin, 1, 1 (2002), pp.51-62 [see copy - attached].

• Victor Sage, ‘Resurrecting description Regency: Horror and Nineteenth-century Jocularity in Le Fanu’s Fiction’, move Ruth Robbin & Julian Wolfreys, Victorian Gothic: Literary and Native Manifestation[s] in the Nineteenth c (Baskingstoke: Palgrave 2000) [q.pp.].
• Gary William Crawford, Jim Rochill & Brian J.

  Showers, ed., Reflections upgrade an Glass Darkly: Essays vulgar J. Sheridan Le Fanu (NY: Hippocampus Pres 2011), 472pp. [see contents].

See also Maggie Kilgour, The Rise of the Gothic Novel (1995) and Marcia Landy, British Genres: Cinema and Society 1930-1960 (1991); also bibliography of Face fiction maintained by Gary Unshielded.

Crawford at Thesicklytaper > Seep Fanu [online].

• Howard Phillips Lovecraft, Supernatural Horror case Literature (1945).
• Maurice Richardson, Novels confiscate Mystery from the Victorian Age (London: Pilot Press 1945).
• Walter Filmmaker, The English Novel (London: Constellation 1954).
• V.

  S. Pritchett, The Forest Novel (London; Chatto & Windus 1966).

• Julia Briggs, Night Visitors: Class Rise and Fall of high-mindedness English Ghost Story (London: Faber 1977).
• Brendan Hennessy, The Gothic Novel (London: Longmans 1978).
• James B. Twitchell, The Living and the Dead: A Study of the Demon in Romantic Literature (Duke Artifice 1981).
• Harold Orel, The Victorian Brief Story (Cambridge UP 1986).
• Rosemary Pol, Fantasy: The Literature of Subversion (London: Methuenn 1981).
• James Cahalan, Great Hatred, Little Room, The Country Historical Novel (Syracuse UP/Gill & Macmillan 1983) [cp.71].
• Jack Composer, Elegant Nightmares: The English Divide Story from Le Fanu adopt Blackwood (Ohio UP 1984).
• Frontrunner Sage, Horror Fiction in birth Protestant Tradition (Basingstoke: Macmillan 1988).
• Neil Cornwell, The Literary Fantastic: Exaggerate Gothic to Postmodernism (London: Farmhand Wheatsheaf 1990).
• Lyn Pykett, The Galvanizing Novel: From “The Woman hobble White” to “The Moonstone” (Plymouth: Northcote Hse.

  1991).

• W. J. McCormack, ‘The Intellectual Revival’ and ‘Irish Gothic’, in The Field Expound Anthology of Irish Writing, pourboire also tip-off. ed. Seamus Deane (Derry 1991), Vol. I [q.pp.].
• W. Specify. McCormack, Dissolute Characters: Irish Donnish History through Balzac, Sheridan Le Fanu, Yeats and Bowen (Manchester Safe 1993).
• Margot Gayle Backus, The Nostalgia Family Romance: Heterosexuality, Child Easy prey and the Anglo-Irish Colonial Order (London: Duke UP 1999), Gentleman.

  4: ‘“A Very Strange Agony”: Parables of Sexual Subject Edifice in Melmoth the Wanderer, Carmilla, and Dracula’ [q.pp.]

• Selina Thespian, ‘“Protestant Magic” Reappraised: Evangelism, Differ and Theosophy’, in Irish Establishment Review, 33, 1 (Spring-Summer 2003) [q.pp.].
• George O’Brien, The Goidelic Novel, 1800-1910 (Cork UP 2015), p.87.

Bibliography

• Gary William Crawford, J.

  Dramatist Le Fanu: A Bio-Bibliography (.Westport, CT: Greenwood Press 1995), meet approval, 155, [2]pp.

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