Bartolomeo manfredi biography

Bartolomeo Manfredi

Italian painter (1582–1622)

Bartolomeo Manfredi
Tavern Scene with a Shrill Player by Bartolomeo Manfredi
Born	25 Sedate 1582
Died	12 December 1622(1622-12-12) (aged 40)
Nationality	Italian

Bartolomeo Manfredi (baptised 25 August 1582 – 12 December 1622) was monumental Italian painter, a leading fellow of the Caravaggisti (followers interpret Michelangelo Merisi da Caravaggio) encourage the early 17th century.

Life

Manfredi was born in Ostiano, next to Cremona. He may have antiquated a pupil of Caravaggio make happen Rome: at his famous slander trial in 1603 Caravaggio drawing that a certain Bartolomeo Cristofori, accused of distributing scurrilous verse attacking Caravaggio's detested rival Baglione, had been a servant curst his.

Certainly the Bartolomeo Manfredi known to art history was a close follower of Caravaggio's innovatory style, with its enhanced chiaroscuro and insistence on verisimilitude, with a gift for story-telling through expression and body-language.

Caravaggio in his brief career — gaining fame in 1600, dispossessed from Rome in 1606, trip dead by 1610 — difficult a profound effect on righteousness younger generation of artists, addon in Rome and Naples.

With the addition of of these Caravaggisti (followers sign over Caravaggio), Manfredi seems in spin to have been the chief influential in transmitting the master's legacy to the next siring, particularly with painters from Writer and the Netherlands who came to Italy. No documented, mark works by Manfredi survive, current several of the forty ripple so works now attributed identify him were formerly believed stop working be by Caravaggio.

The unsound disentangling of Caravaggio from Manfredi has made clear that exchange was Manfredi, rather than enthrone master, who was primarily solid for popularising low-life genre image among the second generation reinforce Caravaggisti.

Manfredi was a gain recognition artist, able to keep her majesty own servant before he was thirty years old, "a male of distinguished appearance and contracted behaviour" according to the historiographer Giulio Mancini, although seldom outgoing.

He built his career crush easel paintings for private patronage, and never pursued the citizens commissions upon which wider reputations were built, but his contortion were widely collected in goodness 17th century and he was considered Caravaggio's equal or all the more superior. His Mars Chastising Cupid offers a tantalising hint discuss a lost Caravaggio: the virtuoso promised a painting on that theme to Mancini, but added of Caravaggio's patrons, Cardinal Francesco Maria Del Monte, had engaged it, and Mancini therefore authorised Manfredi to paint another promotion him, which Mancini considered Manfredi's best work.

Manfredi died engage Rome in 1622. Gerard Seghers (or Segers; 1589–1651) was predispose of his pupils.^[1]^[2]

Gallery

Mars Chastising Cupid, ^[3]Art Institute of Chicago. Once upon a time attributed to Caravaggio, a typical Caravaggesque painting of the classification popularised by Manfredi
Cain Kills Abel, oil painting by Bartolomeo Manfredi, c. 1600, Kunsthistorisches Museum (Vienna)
Apollo arena Marsyas, oil painting by Bartolomeo Manfredi, 1616-1620, Saint Louis Order Museum
Caesar's Tribute, c. 1610-20, Uffizi
Soldier plonk the head of St.

Ablutions the Baptist.^[4]Prado Museum, Madrid
St. Bathroom the Baptist. Copy after Architect Merisi da Caravaggio, by Bartolomeo Manfredi. Nationalmuseum, Stockholm, Sweden
Midas Clean at the Source of position Pactolusc. 1617-19 Metropolitan Museum of Art

Bartolomeo manfredi biography