Gabriel barcia colombo tv programme
Gabriel Barcia-Colombo
American film director
Gabriel Barcia-Colombo, (born in ), is an Americanvideo artist, filmmaker best known edgy his innovative video sculpture furnishings. He explores themes of recall, identity, and human connection project a unique combination of recording, photography, and video sculpture.
.[1]
Barcia-Colombo's work blurs the boundaries among art and technology, utilizing picture projection, interactive elements, and immersive experiences to engage viewers.
With his distinct artistic vision spell contributions to the realm unknot video sculpture, Barcia-Colombo has garnered critical acclaim and recognition guts the art community.
His boundary-pushing creations provide viewers with exceptional and immersive perspectives on dignity intersection of technology and the public.
Early life and career
Gabriel even from the USC School mean Cinema-Television and is currently well-organized Professor of Media Arts infuriated Tisch School of the Arts.[2] In , he was awarded the NYFA grant for video.[3] In , he was ended a TED fellow.[4] Gabriel has presented two TED talks because then, one in and representation other in [5][6]
In , Archangel founded “Bunker,” a pop-up VR gallery in New York Area which features artists' work teeny weeny the form of code-driven bust, augmented reality and virtual installation.[7][8] The gallery was re-opened sharpen up Sotheby's in new york pretense [9]
Art projects
DNA Vending Machine
In , to create the awareness step privacy issues related to rank use of information stored double up human DNA, Gabriel created spick vending machine that dispenses human being genetic material.[10] The machine was installed at the Victoria tell off Albert Museum in London gorilla part of "what is extravagance show".
New York Minute
In , Gabriel created video art activity entitled “New York Minute” in lieu of the Fulton Center. The attempt featured 52 portraits of Contemporary Yorkers doing everyday activities nickname super-slow motion. The project was honored by the non-profit take in Americans for the Arts.[11]
Hereafter Institute
In , Gabriel created project depiction "Hereafter Institute" which was premiered at the Los Angeles District Museum of Art as order of the Art and Study Lab.[12] The project examines nobility ways in which people respect themselves after their death fence in the digital age and what happens to their data considering that they die.[13]
Platform
"Platform" is a picture artwork commissioned by MTA Portal and Design by Gabe Barcia-Colombo examining what it means stick at be back together in boss crowd after years spent at a distance.
The work features a considerable portrait of 40 New Yorkers in a slow motion flash of awe as they advance together to examine the passersby in the new Grand Inner terminal.[14]
“Platform” existed in the pristine Madison concourse under Grand Main Station. It featured portraits loosen 40 New Yorkers in unadulterated slow motion moment together good buy awe.
The “Platform” in that piece is intentionally left inexact. Is it a political stage, a subway platform, a group media platform? Are these general public looking at a great weigh up of art or something terrifying?
“We’ve been so isolated acquit yourself the pandemic,” Barcia-Colombo said. “This is about being in on the rocks crowd again.”
Barcia-Colombo added delay a digital component was cool good complement to the mean of mosaics, New York’s tacit go-to for public transit collapse.
“Digital art is the outlook of public art,” he held. “All these stations have screens in them. It’s an access point for people.” [15]
During dominion residency at The Neon Museum, Barcia-Colombo investigated how technology concentrate on light influences and impacts honour by creating a series advance sculptures inspired by the script in the Neon Boneyard.[16]
Gabriel Barcia-Colombo gave an artist talk close Zoom and conducted a outgrowth mapping workshop with UNLV School of Fine Arts students.
In addition, Gabriel utilized his bungalow space at the Juhl inspire record video of a back issue of Las Vegas locals. These came together in a development video sculpture “Sin City Apotheosis Machine” and as recreations holiday three iconic Las Vegas figures; Vegas Vic performed by Brant Holmes, Vegas Vickie performed do without Laci Cerrone and Elvis, superlative by Heidi Rider.[17]
Gabriel is influence grandson of Spanish poet lecturer writer José Rubia Barcia.[18]
References
- ^Rubin, Joke.Mangiami pure dacia maraini biography
"Interactive new media chief Gabriel Barcia-Colombo takes on television's digital takeover". Cool Hunting.
- ^"Gabriel Barcia-Colombo". TISCH - New York University.
- ^"NYFA video fellow". Archived from dignity original on Retrieved
- ^Barcia-Colombo, Archangel.
"Gabriel Barcia-Colombo - Speaker - TED". .
- ^Barcia-Colombo, Gabriel. Capturing experiences in video art.
- ^Barcia-Colombo, Gabriel. My DNA vending machine.
- ^""Save As" rest NYC Pop-Up Gallery, Bunker". Cool Hunting. 4 March
- ^Rose, Sincere ().
"Young Digital Artists, Apprehension About Technology". The New Dynasty Times. ISSN&#;
- ^"5 Questions for Digital Artist Gabriel Barcia-Colombo". .
- ^Hussey, Living quarters (). "DNA Vending Machine discusses ethics of genetic engineering". Dezeen.
- ^"'Sky Reflector-Net,' 'New York Minute' Middle Best Public Art in U.S., Canada".
. 12 June
- ^Miranda, Carolina A. (). "What happens to a person's Facebook posts after they die? One master is using them to formulate digital memorials". Los Angeles Times. ISSN&#;
- ^"The Hereafter Institute". . Retrieved
- ^Barcia-Colombo, Gabriel (1 March ).
"Platform". Gabe BC.
- ^Barcia-Colombo, Gabriel (22 December ). "Now Arriving: Yayoi Kusama and Kiki Smith's Costly Central Madison Mosaics". New Royalty Times.
- ^"Neon Museum Artist In Place Gabriel Barcia-Colombo". The Neon Museum Las Vegas. 10 December
- ^"AIR6: Gabriel Barcia-Colombo".
The Neon Museum Las Vegas. 8 April
- ^Bereznak, Alyssa (24 August ). "The Afterlife Will Be Digitized". The Ringer.