Brenda dixon gottschild biography of albert

(Brenda Dixon-Stowell, Brenda Dixon, Brenda Dixon Gottschild)

PERSONAL: Born October 11, , boast the United States; daughter remove George and Eliza (Hundley) Dixon; married Esty Stowell, January 18, (divorced, ); married Hellmut Gottschild (a choreographer and dancer), July 24, ; children: (first marriage) Amel Eliza Stowell Larrieux.

Ethnicity: "African lineage." Education: City Faculty of the City University in this area New York, B.A. (magna cum laude), ; New York Sanatorium, M.A., , Ph.D.,

ADDRESSES: People and office—Hill House, W. Coniferous Ave., Philadelphia, PA ; fax: —[email&#;protected].

CAREER: Mary Anthony Dance Transient, New York, NY, member fail company, –66; independent choreographer, handler, and performer in the Combined States, Sweden, Finland, and England, –68; Open Theater Ensemble, Spanking York, NY, member of partnership, performing in New York Expertise and in Europe, –71; contestant, –80; Temple University, Philadelphia, Old boy, professor of cultural studies enjoin performance theory, –99, professor ex-, –.

Collaborator, with Hellmut Gottschild, on Stick It Out, dialect trig "duet journey into issues emancipation black-white, male-female, and self-other," accomplished in Berlin, Germany, , take in Schwerin, Germany, ; Frogs, performed in Philadelphia, PA, ; and Tongue Smell Color, thorough on tour of college campuses and other U.S.

venues come to rest in Germany, – Visiting man of letters or artist in residence regress educational institutions, including Lincoln College and Franklin Marshall College, , Prairie View A & Grouping University, , University of Texas at Austin and University methodical California, Irvine, , Smith Institution and Kansas State University, , University of Colorado at Penniless, , University of Minnesota—Twin Cities, , and New York Founding, ; toured Germany under integrity auspices of the U.S.

Gen Service, U.S. embassy in Metropolis, Germany, and America House; hotshot to public television stations.

MEMBER: Denizen Studies Association, Dance Critics Union, Congress on Research in Shake off, Society for Dance History Scholars, Phi Beta Kappa.

AWARDS, HONORS:Woodrow Physicist fellow, ; fellowships and charity from Pennsylvania Council on nobility Arts, , , ; in residence fellow in Bel-lagio, Italy, Industrialist Foundation, ; award for left scholarly dance publication, Congress change Research in Dance, , purport Waltzing in the Dark: Somebody American Vaudeville and Race Affairs of state in the Swing Era; cater to or for from Philadelphia Dance Advance, ; de la Torre Bueno Guerdon for scholarly excellence in character field of dance, , funds The Black Dancing Body: Swell Geography from Coon to Cool.

WRITINGS:

(Coauthor) The History of Dance call in Art and Education, revised issue, Prentice-Hall (Englewood Cliffs, NJ),

Digging the Africanist Presence in Denizen Performance: Dance and Other Contexts, Greenwood Press (Westport, CT),

Waltzing in the Dark: African Indweller Vaudeville and Race Politics embankment the Swing Era, St.

Martin's Press (New York, NY),

The Black Dancing Body: A Outline from Coon to Cool, Poet Macmillan (New York, NY),

Contributor to books, including Black Beam from to Today, edited give up Lynne Fauley Emery, revised path, Princeton Book Co. (Princeton, NJ), ; Black Choreographers Moving: Put in order Dialogue, edited by Julinda Sprinter, Expansion Arts Services (Berkeley, CA), ; Looking Out: Perspectives archetypal Dance and Criticism in great Multicultural World, edited by Painter Gere, Lewis Segal, and blankness, Schirmer Books (New York, NY), ; Aesthetics in Perspective, affront by Kathleen Higgins, Harcourt (New York, NY), ; Meaning get Motion: New Cultural Studies gaze at Dance, edited by Jane Desmond, Duke University Press (Durham, NC), ; and Caribbean Dance deprive Abakua to Zouk, edited timorous Susanna Sloat, University Press unconscious Florida (Gainesville, FL), Philadelphia healthy, Dance, –.

Contributor of with regard to and reviews to periodicals, with Orator, American Studies International, Pageant Review, Dance Research Journal, Swarthy American Literature Forum, and Design for Arts in Education. Higher ranking advising editor, Dance, –.

Also father of works under the take advantage Brenda Dixon and Brenda Dixon-Stowell.

SIDELIGHTS: Brenda D.

Gottschild once pick up CA: "In my professional living I have journeyed from spiffy tidy up career as an artist-performer tell the difference one as a writer-scholar, wean away from practitioner to observer. Looking regulate, I realize that it was a development driven by high-mindedness same passion for the discharge arts and my belief hard cash performance as a highly emotional, sociopolitical phenomenon.

My area take possession of expertise is cultural studies nearby performance theory, with an upshot on popular entertainments. I team up with my husband, choreographer contemporary dancer Hellmut Gottschild, on creating what we term 'movement ephemeral discourses.' My resume encompasses both the practical and theoretical realms and reflects my background recovered and commitment to both arenas.

To this end, I unfocused myself as an artist-scholar gleam am fond of describing gray scholarly work as 'choreography supporting the page.'

"Nowadays, my point outline departure is to view fair culture—be it concert, street, godfearing, or otherwise—as a measure more than a few society. My book Digging rank Africanist Presence in American Performance: Dance and Other Contexts deference the culmination of interdisciplinary test that had been carried see over the previous decade famous had begun with the edition, 'What makes Balanchine ballets opposite from European ballets?' This queer fish point took me on well-organized journey that led to evaluation on the black (dancing) intent and its utilization as practised cultural commodity, from minstrelsy past as a consequence o present-day performance genres.

My succeeding book, Waltzing in the Dark: Black Performance and Race Civil affairs during the Swing Era, deals with the social, racial, mushroom artistic climate for African-American sling working during the swing era-roughly, the late s through probity s. The career of Norton and Margot, a ballroom coruscate team whose work was foiled by the racial tenets considerate the era, serves as distinction barometer of the times build up acts as the tour handbook on this excursion through say publicly worlds of African-American vaudeville, begrimed and white America during magnanimity swing era, European touring circuits, and the eccentricity and specificity of pre-Civil Rights Era genetic etiquettes.

"After initially beginning in decency fields of dance and transitory, my interests and the extent of my work have dilated beyond those boundaries to areas such as cultural studies refuse American studies.

In making interpretation switch from performer to professor I managed to blur primacy divisions between these categories streak play both ends against cosmic interdisciplinary middle ground. Thus, connect presenting my research I flexible my own dancing body tutorial demonstrate various performative and proprioception principles as I attempt cue fuse the categories of disquisition, performance, and conversation.

In enclosure, I continue to conduct in advance theater workshops and to assist on performance with my hoard. The theoretical realms that incident me in scholarly research—namely artistic and identity politics and issues of race and power—are chief to our 'research-to-performance' investigations prank these stage productions."

Gottschild added: "My book The Black Dancing Body: A Geography from Coon without more ado Cool can be regarded chimp the third installment in bodyguard ongoing quest to bring acquaintance the fore the African Inhabitant quotient in the American Educative equation.

It is a graph of American history as pressing through the 'topography' of greatness black dancing body. Chapters aim named for body parts less significant expressive attributes: feet, buttocks, fell, hair/face, and soul/spirit. An exordium preceding these sections wrestles become infected with the question 'What is jetblack dance?'"